Boundary I
Limited edition linocut print (unframed)
15 cm x 10 cm (printed area)
Number of prints in the edition: 9
Marking the limit, or edge of something, boundaries, like borders, contain and exclude. Boundary I is the first in a series of prints that are based upon a photo I took in a snow-covered Turkish field one Christmas Day. It is a study in grey and a blurring of lines in which we see beyond what is barred.
I produced the print from a grey lino block which I cross-hatched using a small v-shaped gouge. Each print was then hand-pressed with a silver spoon to Kozo Natural Select — a lightweight (45 gsm) archival Japanese washi paper made from 80 per cent Kozo and 20 per cent unsized alpha cellulose which I hand-tore to approximately 25.5 x 21.5 cm. The sheets have a frayed edge. The ink used is Hawthorn Stay Open Carbon Black.
Each print in the edition is individually numbered, signed, dated, and titled in soft pencil beneath the printed area.
Limited edition linocut print (unframed)
15 cm x 10 cm (printed area)
Number of prints in the edition: 9
Marking the limit, or edge of something, boundaries, like borders, contain and exclude. Boundary I is the first in a series of prints that are based upon a photo I took in a snow-covered Turkish field one Christmas Day. It is a study in grey and a blurring of lines in which we see beyond what is barred.
I produced the print from a grey lino block which I cross-hatched using a small v-shaped gouge. Each print was then hand-pressed with a silver spoon to Kozo Natural Select — a lightweight (45 gsm) archival Japanese washi paper made from 80 per cent Kozo and 20 per cent unsized alpha cellulose which I hand-tore to approximately 25.5 x 21.5 cm. The sheets have a frayed edge. The ink used is Hawthorn Stay Open Carbon Black.
Each print in the edition is individually numbered, signed, dated, and titled in soft pencil beneath the printed area.
Limited edition linocut print (unframed)
15 cm x 10 cm (printed area)
Number of prints in the edition: 9
Marking the limit, or edge of something, boundaries, like borders, contain and exclude. Boundary I is the first in a series of prints that are based upon a photo I took in a snow-covered Turkish field one Christmas Day. It is a study in grey and a blurring of lines in which we see beyond what is barred.
I produced the print from a grey lino block which I cross-hatched using a small v-shaped gouge. Each print was then hand-pressed with a silver spoon to Kozo Natural Select — a lightweight (45 gsm) archival Japanese washi paper made from 80 per cent Kozo and 20 per cent unsized alpha cellulose which I hand-tore to approximately 25.5 x 21.5 cm. The sheets have a frayed edge. The ink used is Hawthorn Stay Open Carbon Black.
Each print in the edition is individually numbered, signed, dated, and titled in soft pencil beneath the printed area.